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Showing posts with label Dario Argento. Show all posts
Showing posts with label Dario Argento. Show all posts

Monday, August 5, 2013

Movies At Dog Farm Gets Down To The Business Of Self Promotion

Movies At Dog Farm business card front
Movies At Dog Farm business card back
Nifty new business cards, front and back
      Is it weird that I just ordered these nifty new business cards to promote my non-monetized movie blog?

Me:  "I've got a web page about horror movies and stuff.  You should check it out.  Here let me give you the info . . . "

. . . pats down pockets as though looking for something, then produces a nifty new business card and presents it with a theatrical flourish to the potential Dog Farmer accompanied by . . . 

Me:  "BAM!  My card!  See you on the internet!"

. . . and the potential Dog Farmer walks away suitably impressed and makes a mental note to check out Movies At Dog Farm as soon as possible . . . 

. . . and that's why nifty new business cards.  Nothing weird about that, right?

_____________________________________________________________________________


Beyond The Valley Of The Dolls (1970) poster
"This is my happening and it freaks me out!"
     I've got some news about some Friends Of The Farm, too.

     J.D. over at Blood Sucking Geek has introduced Forums on his site.  Check 'em out, and be sure to sign up so you can contribute to the discussions.

     Rachel just did a redesign of @Fake_Shemp, and she was geeking out pretty hard today about Peter Capaldi being chosen to be the new Dr. Who.

     . . . and finally, I had the pleasure of meeting author, illustrator, and educator Rich Hilliard right here in my own back yard this week.  We geeked out about Beyond The Valley Of The Dolls (1970), Fulci and Argento, and horror movies in general.  Rich is a fantastic illustrator, and you can check out a few of his galleries (including a Classic Monsters gallery) at richhilliard.com.






Posted by Brandon Early

Tuesday, July 2, 2013

(Mostly) Effective Tips For Teaching A Straight To Like Horror Movies

     My last post addressed the way in which straights (non horror fans) can have a tendency to look down their noses at horror fans, like we're Trekkies or something.  They only do this because they're ignorant.  It's our duty as fans to try to remedy this ignorance.  Following are a few tips from my own experience that I hope will help my fellow genre fans to convert the unwashed masses.


1)  The Classics Are Your Cornerstone

     The classics are considered classics for a reason.  It's no accident that every Halloween brings a wave of those "Ten Best Horror Movies To Watch On Halloween" lists from a slew of straight websites.  Sure, you'll see some variation, but these lists are mostly populated from a pool of the same titles on every single site.  We horror fans generally roll our eyes and think something like "The Exorcist?  Again?"  Still, though, you'd be surprised how many straights have never seen The Exorcist.

     The classics are a great place to let your student dip a foot into the bloody pool of horror, because your student will want to see these titles for many of the same reasons that filmmakers want to remake them.  Even if your subject has never seen these movies, he's at least aware of them.  He already has at least a vague idea of what they're about, often because he's already seen some of those aforementioned remakes.  Yes, even straights who profess not to like horror movies will occasionally go to see one - just goofin' - and chances are, what they saw was probably a remake with a familiar title.  Take the "in" and show them the original.


2)  Know Your Student

     Don't show a pregnant woman It's Alive (1974).  The amusement to be had from watching her squirm uncomfortably will be fleeting.  You've made watching a horror movie a distinctly unpleasant experience for her, and that only serves to reinforce her claim that she doesn't like horror.  She won't trust your recommendations in the future because she won't trust your motives.

Lena Leandersson in Let The Right One In (2008)
Lena Leandersson - Let The Right One In (2008)
     Take time to find out what kind of movies your student does like, and choose a title that somehow ties into that.  If she likes arty foreign films, show her Let The Right One In (2008).  If she likes comedies, show her Shaun Of The Dead (2004).  If she likes being intellectually engaged by a movie, show her Pontypool (2008).  Remember that your student already has preconceived notions about the horror genre.  You're trying to make an end run around those preconceptions in the hopes of demonstrating that the horror genre is multifaceted enough to encompass movies that even she will enjoy.


3)  Make It A Learning Experience

     Some people respond well to the idea of developing an intellectual appreciation for something even when they believe that something doesn't actually appeal to them.  Sometimes that intellectual appreciation can develop into a genuine enthusiasm once they've become attuned to the particulars of the subject.  Use that to your advantage when introducing someone to the horror genre.

     I programmed two different series of genre movies for some of my students that I referred to as The Drive-In Movie Summer Series.  We watched one movie each Wednesday for twelve weeks.  Prior to starting this undertaking I even went so far as to create a program schedule with bullet-pointed facts, trivia, and production info.  Putting the movies into some kind of context for my students before watching them piqued their interest, and it served to make the whole experience something more than just "horror guy subjecting straights to B-movies".  They were only humoring me at first, but they were fully and genuinely invested in the experience by the end of the summer.

John Travolta in The Devil's Rain (1975)
John Travolta - The Devil's Rain (1975)
     Be careful, though.  Don't get too bogged down in horror-centric details and lose sight of your goal.  For example, one of the movies we watched was The Devil's Rain (1975), and I made sure my resident John Travolta fan knew he was in it.  That's a bullet-point that mattered to her.  On the other hand, telling her it was directed by the same guy who directed The Abominable Dr. Phibes (1971) would have meant nothing to her.  This leads nicely into number four . . .


4)  Build On Your Successes

     If you show your student a Fulci movie and he objects to the graphic violence, shelve the Fulci movies until later.  If you show your student an Argento movie and he objects to the lack of narrative cohesion, fall back to horror movies with more linear narratives.  Don't force the issue.  There may be an opportunity to reintroduce Fulci or Argento later, but only if your student is still watching horror movies later.  Some directors, subgenres, and styles are acquired tastes.  I was only lukewarm on Argento's Suspiria (1977) the first time I saw it, and that's almost unfathomable to me now.  My tastes had to broaden and mature.  Your student will never get to that point if you insist upon beating him relentlessly about the face and neck with movies you think he should like.

     Use softer "gateway" horror like Gremlins (1984), Poltergeist (1982), or Arachnophobia (1990) first to get a feel for what your student might find tolerable, then branch out from there into thematically similar "hard" horror.  Take the time to build a foundation for your student's education.  We all had to walk before we ran.


5)  Recognize Your Student's Opinions Are Valid (Even If They're Wrong)

     You will inevitably show your student a horror movie you love that he doesn't care for.  Don't get discouraged.  Don't take it personally.  This is an opportunity, not a setback.

Angrus Scrimm as the Tall Man
Angus Scrimm - Phantasm (1979)
     Ask your student to identify what they found unappealing about the movie.  Gently prod them into examining critically exactly why they didn't like it.  Resist the urge to tell them they're wrong and then proceed to explain to them why they're wrong for half an hour.  Instead, turn their criticisms back on them, and make this an opportunity for them to examine what in particular didn't appeal to them.  This will, in turn, prompt them to consider what they do like.  You've now made your student an active participant in his education, strengthened his own critical faculties, encouraged him to view a horror movie as a topic worthy of examination, and let him know it's o.k. if he doesn't like everything he sees.  You can deal with the fact that he's a nutcase for not enjoying Phantasm (1979) at a later date.


6)  Be Prepared For The Day The Student Becomes The Master

     If you've done your job well, this will happen.  You'll have another horror literate friend with whom to watch your favorites.  All of those years you spent amassing a wealth of useless knowledge about the horror genre will not have been wasted.  When you help your student develop her affinity for zombie movies and she later comes to you interested in watching The Battery (2012), you'll know you've succeeded.


     So what tactics have worked for you?  Post a comment below to share your own tips.  One final note:  I was just joshing with that Trekkie slur at the start of this post.  I like Star Trek.  Really.



Posted by Brandon Early
 

Sunday, February 10, 2013

Movies At Dog Farm Slips On A Bloody Banana Peel - Funny, Yes?

 "Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die."
                                                                                                - Mel Brooks

Dead Alive (1992) fisting
Fisting in New Zealand!  Dead Alive (1992)
     I'm courting disaster by attempting to define a subgenre, but I struggled with devising post topics for the Gore-A-Thon  because I wasn't really sure what I felt defined a gore movie.  The term always makes me think first of movies that use graphic, over-the-top violence to comedic effect - movies like Re-Animator (1985), Evil Dead II (1987), or Dead Alive (1992).  So why is that?


Blood Feast (1963) eyebrows
How are those eyebrows not funny?  Blood Feast (1963)
     Well, maybe it's because Herschell Gordon Lewis is the undisputed Godfather of Gore, and I can't help but giggle every time I watch one of his movies.  Granted, he was initially just fishing around for a marketable hook when the popularity of the nudies he was producing began to wane, but I find it nearly impossible to watch his seminal Blood Feast (1963) and imagine that the absurdly exaggerated violence on display was seriously intended.  The campy, po-faced presentation of all that luridly colorful gore is precisely why his movies have endured.  You're either in on the gag, or you're not.  If you're not, then you're probably offended.

     To me, the key distinguishing characteristic of a gore movie is that it's more concerned with the aftermath than the action.  A gore movie isn't as concerned with the violent act as it is with the bloody red remains of said act.  A gore movie is determined to let the camera linger lovingly on the mess.  A gore movie is the cinematic equivalent of your buddy blowing his nose, then spreading the tissue wide and saying, "Hey!  Look at this!"
 
Cannibal Holocaust (1980) native impaled on stick
Doesn't like fart jokes.  Cannibal Holocaust (1980)
    You know it will be gross, but you can't not look.  It's a testament to your own constitution if you can look and just laugh it off - juvenile, but also comedic.  Comedic gore is a fart in a crowded elevator, intended to either make you snicker like a ten year old or to turn away in disgust because your sensibilities are too fine.  I like a good fart joke.  Funny is funny.  If you laugh, it was funny - no further analysis necessary.  If you've got too big a stick up your ass to enjoy a good fart joke, you're probably not going to like gore movies, either.

    So what's your definition of a gore movie?  Is it movies like Saw (2004) or Hostel (2005) that plumb the depths of photorealistic carnage?  Or maybe it's the elegant beauty of Dario Argento's stylized ultra-violence?  How about tacky cannibal gut-munchers like Cannibal Holocaust (1980) or perhaps the graphic extremities of nearly unclassifiable genre fare like Excision or American Mary (2012)?  If it's the indisputably comedic gore of Japanese genre movies like Machine Girl (2008) or RoboGeisha (2009), maybe you're seeing the same dark humor I am.

     A valid argument can be made for any of these movies epitomizing the gore genre.  I suspect my compatriots in the Gore-A-Thon will address many of these titles with their own posts over the next two weeks.  I look forward to reading them as much as I hope you do.  Shower me in blood, folks!  Help me up from the floor if I slip in the puddled gore!

     . . . but only after you've enjoyed a good laugh at the expense of my personal tragedy, of course.

     By the way, who farted?



Barbara Crampton getting head from Dr. Hill in Re-Animator
A head giving head - the funniest visual pun in any movie ever!  Plus, it gives me an excuse to show Barbara Crampton nude!  Re-Animator (1985) Click the title for an extended clip.







Posted by Brandon Early