Movies At Dog Farm Slips On A Bloody Banana Peel - Funny, Yes?

 "Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die."
                                                                                                - Mel Brooks

Fisting in New Zealand!  Dead Alive (1992)

     I'm courting disaster by attempting to define a subgenre, but I struggled with devising post topics for the Gore-A-Thon  because I wasn't really sure what I felt defined a gore movie.  The term always makes me think first of movies that use graphic, over-the-top violence to comedic effect - movies like Re-Animator (1985), Evil Dead II (1987), or Dead Alive (1992).  So why is that?

How are those eyebrows not funny?  Blood Feast (1963)

     Well, maybe it's because Herschell Gordon Lewis is the undisputed Godfather of Gore, and I can't help but giggle every time I watch one of his movies.  Granted, he was initially just fishing around for a marketable hook when the popularity of the nudies he was producing began to wane, but I find it nearly impossible to watch his seminal Blood Feast (1963) and imagine that the absurdly exaggerated violence on display was seriously intended.  The campy, po-faced presentation of all that luridly colorful gore is precisely why his movies have endured.  You're either in on the gag, or you're not.  If you're not, then you're probably offended.

     To me, the key distinguishing characteristic of a gore movie is that it's more concerned with the aftermath than the action.  A gore movie isn't as concerned with the violent act as it is with the bloody red remains of said act.  A gore movie is determined to let the camera linger lovingly on the mess.  A gore movie is the cinematic equivalent of your buddy blowing his nose, then spreading the tissue wide and saying, "Hey!  Look at this!"
 

Doesn't like fart jokes.  Cannibal Holocaust (1980)

    You know it will be gross, but you can't not look.  It's a testament to your own constitution if you can look and just laugh it off - juvenile, but also comedic.  Comedic gore is a fart in a crowded elevator, intended to either make you snicker like a ten year old or to turn away in disgust because your sensibilities are too fine.  I like a good fart joke.  Funny is funny.  If you laugh, it was funny - no further analysis necessary.  If you've got too big a stick up your ass to enjoy a good fart joke, you're probably not going to like gore movies, either.

    So what's your definition of a gore movie?  Is it movies like Saw (2004) or Hostel (2005) that plumb the depths of photorealistic carnage?  Or maybe it's the elegant beauty of Dario Argento's stylized ultra-violence?  How about tacky cannibal gut-munchers like Cannibal Holocaust (1980) or perhaps the graphic extremities of nearly unclassifiable genre fare like Excision or American Mary (2012)?  If it's the indisputably comedic gore of Japanese genre movies like Machine Girl (2008) or RoboGeisha (2009), maybe you're seeing the same dark humor I am.

     A valid argument can be made for any of these movies epitomizing the gore genre.  I suspect my compatriots in the Gore-A-Thon will address many of these titles with their own posts over the next two weeks.  I look forward to reading them as much as I hope you do.  Shower me in blood, folks!  Help me up from the floor if I slip in the puddled gore!

     . . . but only after you've enjoyed a good laugh at the expense of my personal tragedy, of course.

     By the way, who farted?

A head giving head - the funniest visual pun in any movie ever!  Plus, it gives me an excuse to show Barbara Crampton nude!  Re-Animator (1985) Click the title for an extended clip.

Posted by Brandon Early
    

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Movies At Dog Farm Trailer Park: Volume 1, December 2012

     This is just a quick round-up of recently viewed movies, as well as a handful of titles I'm looking forward to.  Click on any title for a link to the pertinent trailer.  Click thumbnails to enlarge pics.

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     I watched Silent Night (2012) this week - a very loose remake of Silent Night, Deadly Night (1984) -  and I really wasn't quite sure what to make of it.  It was more visually ambitious than I expected.  In fact, it was often quite stylish.  Care was taken.

     Unfortunately, I believe it was let down by a script that could have used another pass.  Mostly just a shrug for me.  Here's to hoping that I'll finally find my perennial Christmas horror movie when I watch Rare Exports (2010) on Christmas Day.

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     Though I've seen a handful of exceptionally good genre movies recently - Some Guy Who Kills People (2011), Excision (2012), The Bay (2012) - I haven't really been looking forward to any upcoming releases. Well, that all changed today.

     The first official trailer for Guillermo del Toro's upcoming massive monsters versus massive robots epic Pacific Rim (2013) hit the Internet on December 12th, and I somehow didn't bumble across it until today.  Oh.  My.  God.  July can't get here soon enough.  I was bummed when del Toro's adaptation of H.P. Lovecraft's At the Mountains of Madness fell apart, but it looks like he's still getting his Cthulhu on with these gigantic horrors from the depths of the Pacific.

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     I'm also super excited about American Mary (2012).  Starring Katherine Isabelle (the Ginger Snaps trilogy), this Canadian production wowed audiences at the Toronto After Dark Film Festival.  It premieres theatrically in the U.K. on 1/11/13 with a U.K. disc release following on 1/21/13.  Hopefully, this means we can expect a North American release soon thereafter.  I'm going to do my damnedest to procure a copy of this as soon as possible, and I'll be sure to report back.

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     Haters are gonna hate, but I've been convinced ever since the release of House of 1000 Corpses (2003) that director Rob Zombie has at least one more brilliant movie in him.  I think The Lords of Salem (2012) might be that movie.  It releases 4/26/13.

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     Finally, I read today that director Andreas Marschall's giallo homage Masks (2011) has been procured by Sony Pictures Home Entertainment for imminent North American distribution.  I'd never even heard of this one before today, but the trailer makes it look like it could be the best giallo that Dario Argento never directed. 

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Posted by Brandon Early

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