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Showing posts with label Blood Sucking Geek. Show all posts
Showing posts with label Blood Sucking Geek. Show all posts

Monday, August 5, 2013

Movies At Dog Farm Gets Down To The Business Of Self Promotion

Movies At Dog Farm business card front
Movies At Dog Farm business card back
Nifty new business cards, front and back
      Is it weird that I just ordered these nifty new business cards to promote my non-monetized movie blog?

Me:  "I've got a web page about horror movies and stuff.  You should check it out.  Here let me give you the info . . . "

. . . pats down pockets as though looking for something, then produces a nifty new business card and presents it with a theatrical flourish to the potential Dog Farmer accompanied by . . . 

Me:  "BAM!  My card!  See you on the internet!"

. . . and the potential Dog Farmer walks away suitably impressed and makes a mental note to check out Movies At Dog Farm as soon as possible . . . 

. . . and that's why nifty new business cards.  Nothing weird about that, right?

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Beyond The Valley Of The Dolls (1970) poster
"This is my happening and it freaks me out!"
     I've got some news about some Friends Of The Farm, too.

     J.D. over at Blood Sucking Geek has introduced Forums on his site.  Check 'em out, and be sure to sign up so you can contribute to the discussions.

     Rachel just did a redesign of @Fake_Shemp, and she was geeking out pretty hard today about Peter Capaldi being chosen to be the new Dr. Who.

     . . . and finally, I had the pleasure of meeting author, illustrator, and educator Rich Hilliard right here in my own back yard this week.  We geeked out about Beyond The Valley Of The Dolls (1970), Fulci and Argento, and horror movies in general.  Rich is a fantastic illustrator, and you can check out a few of his galleries (including a Classic Monsters gallery) at richhilliard.com.






Posted by Brandon Early

Monday, April 1, 2013

The Power Of "The Incredibly Strange Horror Bloggers Network" Compels You . . .

The Incredibly Strange Horror Bloggers Network orange spiral
There's no need to adjust your monitor.  The Incredibly Strange Horror Bloggers Network has seized control of your laptop.  We dare you to click the spiral and be transported to another dimension (or at least another URL address).




The Incredibly Strange Horror Bloggers Network logo


     Readers will remember Blood Sucking Geek's Ultimate Gore-A-Thon from back in February.  The Gore-A-Thon was a two week multi-blog event orchestrated by JD at Blood Sucking Geek. It included his blog, this blog, and seven other contributing blogs.  We all thoroughly enjoyed working with one another, and we decided to keep doing so.  Enter The Incredibly Strange Horror Bloggers Network . . .

     The Incredibly Strange Horror Bloggers Network is a group of these nine predominately horror themed blogs that have banded together to consolidate their individual strengths, support each other's efforts, and present a unified identity to the public.  In particular, fans of any of the participating blogs can go to The Incredibly Strange Horror Bloggers Network Fan Page on Facebook and find updated info and links from all nine blogs gathered together in one tidy, convenient pile.

     The graphics associated with The Incredibly Strange Horror Bloggers Network will likely change in the near future (MK at MK Horror is working on something a little spiffier than what I came up with), but the Facebook Fan Page is already up and running.  Bob at Candy-Coated Razor Blades is brainstorming our next group effort, as well.

     Watch the Fan Page for updates, and feel free to post there to let us know what you think.  In addition to promoting the blogs, we also hope to foster an active community there - we'd like all of our readers to be part of that!



Posted by Brandon Early

Monday, February 25, 2013

A Public Apology To Kevin Costner

     Dammit!  Dammit all to hell!  I can't stand Kevin Costner.  Well . . . I couldn't stand Kevin Costner.  It now pains me deeply that I feel obliged to publicly recant.  After seeing Costner do most of the heavy lifting in two genre movies that I thoroughly enjoyed (2007's Mr. Brooks being the first), I believe I need to grudgingly acknowledge him as a friend of the genre.  I'm sorry, Kevin.  I won't wait so long to watch the next one.

     I dimly recall reading several positive notices for The New Daughter (2009) not long after it hit home video.  Mr. Brooks was still fresh in my mind at the time (which was really a double whammy for me since I absolutely loathe Dane Cook), and I remember making a mental note to myself to check it out.  Then that mental note promptly crawled off to die, alone and lonely, in the same darkened chamber of my mind in which all of my mental notes perish.

     Cut to tonight, and I find myself alone at home for the evening thinking I'd like to watch a movie, but not really anything for which I had high expectations.  As I sometimes do in this circumstance, I turned on Netflix streaming and flipped to the Horror category with a grim determination to watch the first movie I came to that I hadn't seen and about which I had even the mildest curiosity.  I tend to wait for the "ideal circumstance" to watch movies that I've really been jonesing for, and consequently I actually don't watch as many random new(ish) movies as I feel that I should.  I've always got a backlog of movies I'm actually anxious to see stacked up when the "ideal circumstance" crops up, so the movies I'm only mildly curious about get short shrift.  I've got to sift through those every once in awhile, though, because that's where the pleasant surprises reside.

Kevin Costner in The New Daughter (2009)
"Just watch it.  I ain't playin', man."
     Now don't get me wrong - The New Daughter is far from perfect.  It has a lot of those purely expository characters that only exist in horror movies, it's about fifteen minutes too long, and it has at least two or three dangling plot threads that go nowhere.  It's capsulization on Netflix describes it as being about a man who "faces a nightmare when his daughter starts acting strange."  Doesn't sound too promising, does it?  Well, I'm going to give Netflix a pass this time, because to say much more would ruin the movie.  That capsulization is accurate, and sometimes it's nice to just see a movie cold.  What does that mean to you, dear reader?  It means this is another of those patented Dog Farm non-reviews that pretty much boils down to "Just watch it.  You can thank me later."

     What I can tell you is this - Costner's performance, in particular, sells the story.  I think maybe the pending introduction of a baby into my life has activated my vestigial ovaries, but I've been especially weepy lately, especially where plotlines involving parent/child relations are concerned.  The slow burn narrative, the ultimate inevitability of the resolution, and Costner's commendably subdued and nuanced performance as a father suddenly forced to tackle the parenting alone left me experiencing a peculiar pulse pounding crying jag in the movie's final moments.  As my buddy Bob over at Candy-Coated Razor Blades is fond of saying, "Your mileage may vary."  I'm undoubtedly a little sensitive these days, but finding myself so emotionally invested in The New Daughter by its conclusion was definitely one of those pleasant surprises I mentioned earlier.

     Dane Cook can still suck it, though.

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     On an entirely unrelated note, I'd like to take to take this opportunity to thank JD at Blood Sucking Geek for masterminding the just completed Ultimate Gore-A-Thon.  I appreciated the opportunity to work with JD and all of the rest of great sites that participated.  If people do, indeed, judge you by the company you keep, then you folks made me look hellaciously good.  Links to all of the most recent posts on those great sites will maintain residence in the sideboard, and for now I'll simply refer to them collectively as Friends Of The Farm.  Check 'em out, subscribe, like 'em on Facebook, and Tweet them to all of your friends.  Thanks, all, for allowing me to participate.



Posted by Brandon Early

Thursday, February 7, 2013

A Most Gore-geous Day Is Upon Us!

Ultimate Gore-A-Thon banner

     That's right, folks!  The official start of the Ultimate Gore-A-Thon is upon us!  The Splatterific Extravaganza begins at midnight this Saturday!
   
     Things have been quiet at the Dog Farm for awhile, but that's only because we've been gearing up for what promises to be one helluva lot of fun.  The proprietors of all eight participating sites have been working hard to stockpile a big, messy pile of gorey horror movie goodness.  You'll notice the addition of the Ultimate Gore-A-Thon Most Recent Posts listing to the right, where you can keep up with all the newest posts at all eight sites throughout the next two weeks.  You can also check out a master list of all the sites, posts, and links relating to the Ultimate Gore-A-Thon at Blood Sucking Geek.  Take a moment to "Like" the new Movies At Dog Farm Facebook fan page while you're in the sideboard, too. 

Video Nastie:  The Definitive Guide dvd package
     On an a somewhat related note: I'd like to call everyone's attention to the trailer currently embedded in Movies At Dog Farm Recommends . . .  in the sideboard.  Owing to the nature of the Ultimate Gore-A-Thon, I found myself revisiting this incredible three disc set for reference recently.  You'll have to own a PAL region-free DVD player to enjoy Video Nasties: The Definitive Guide here in the states, but it's highly recommended if you have the tech.  It's still available to order on Amazon's U.S. site - but I'm not going to link to Amazon here.  I'm afraid you're on your own for that leg of the journey.

     So get your hip-waders on and gear up for the Ultimate-Gore-A-Thon.  We'll begin shoveling the bloody chum on Saturday night at midnight.  The Dog Farm's first post will be up at 12:01.  Remember to visit all of the rest of the participating sites, be generous with the "Likes" and "Shares", and leave plenty of comments.  Contrary to what Erin Lashley of Deep Red Rum claims, I'm pretty sure we're all comment whores. 


Posted by Brandon Early

Monday, January 21, 2013

Movies At Dog Farm Remembers . . . The Drive-Ins Of My Misspent Youth

Screen and marquee of the Skyline Drive-In in Waynesboro, VA - Photo by Tony at http://www.driveins.org/index.html
Skyline Drive-In, Waynesboro VA - Photo by Tony at driveins.org
     I'm only glad to be older than dirt when I'm a horror fan who's older than dirt.  I've been fortunate enough to experience some great horror mileposts, some "end of an era" type opportunities that some of my younger contemporaries missed out on.  I've been lucky. 

     I'm grateful that my indoctrination into the world of grown-up horror movies coincided almost perfectly with the slasher movie boom of the late 70's and early 80's.  I was afforded the opportunity to see the likes of My Bloody Valentine (1981), Silent Night, Deadly Night (1984), and Halloween II (1981) all on the big screen during their original theatrical releases.  These were the salad days of the gratuitous tit shot and the practical special effect.

Bowman Body hosting Cobweb Theater
The Bowman Body - Cobweb Theater
     I'm grateful that I could look forward to seeing some hoary old black and white horror movie hosted by the Bowman Body every Saturday night, first on Shock Theater (The Big 8!) and later on Cobweb Theater broadcast from Charlottesville.  The picture to the right is a screen capture of the Bowman Body reading a fan letter on the air from a much younger and less jaded movie fan.  You can see the clip in its entirety here.  Even as a youngster I was a genre critic.

Ticket booth at the Skyline Drive-In in Waynesboro VA - Photo by Tony at http://www.driveins.org/index.html
Ticket booth at the Skyline - Photo by Tony at drive-ins.org
     Most of all, though, I'm grateful that I experienced the last hurrah of the drive-in horror movie.  Nothing beats seeing Lucio Fulci's Zombie (1979) on a gigantic outdoor screen with a cup of french fries in one hand and the badly dubbed soundtrack blaring through a speaker mounted to the window.

     My mother and I would spend each Saturday doing yard work for my Great Aunt Sydney so I could earn some drive-in money for Saturday night.  The theater in question was usually the Skyline Drive-In (Shenandoah's Showplace) in Waynesboro, VA.  There'd always be a line at the ticket booth because Saturday night was usually "carload" night - one admission price for as many people as you could fit in your car.  It  was an entertainment value that couldn't be beat, especially if it happened to be a dusk til dawn show.

     I had the good fortune to see Motel Hell (1980), Fear No Evil (1981), The Gates Of Hell (1980), and The Creeper (1977) on the Skyline's mammoth screen.  I saw The Toolbox Murders (1978), The Driller Killer (1979), and Wolfen (1981), too.  I saw them all out under the stars on humid summer nights, the way God intended.

     At some point I'd always have to visit the bathroom or the snack bar, usually after I was sufficiently spooked by the evening's entertainment to make the trek from the car to the snack bar a terrifying dash through the darkness and open air.  The bathroom, in particular, was the stuff of nightmares, lit by the jaundice glow of the yellow bug lights punctuated occasionally by the purple flash of the bug zapper.  The bathroom had a screen door and a trough to pee in - very utilitarian.

The Texas Chainsaw Massacre poster (1974)
     Inside the snack bar, though, was the drive-in holy grail.  For as long as I visited the Skyline, there was always a poster for The Texas Chainsaw Massacre (1974) on the wall beneath a sign that read "Coming Soon".  It was a tease.  TCM never played the Skyline during these years.  I know.  I waited for it.  And waited, and waited . . .

     Undoubtedly, the poster had been there since TCM had played the Skyline years earlier.  I ultimately did see TCM on the big screen years later at a midnight screening - I can be grateful for that, at least - but nothing could've beaten seeing the epitome of the drive-in horror movie at the Skyline.

The Route 340 Drive-In marquee in Waynesboro, VA covered by Speedway signs - Photo from http://www.driveins.org/index.html
The Route 340 Drive-In marquee, covered by speedway signs - Photo by drive-ins.org
     I would occasionally find myself at the Route 340 Drive-In, as well - also in Waynesboro - and that was an even sketchier state of affairs.  The Route 340 shared land with Eastside Speedway, so on most Saturdays you couldn't hear the movies until after the drag racing was done for the night.  The Route 340 also generally played raunchier titles. 

     My most vivid memory of the Route 340 was the night my mother and I stumbled upon I Spit On Your Grave (1978) playing there.  Spitting on graves - it's a horror movie, right? 

     My mother was mortified that she'd taken her nine year old son to see a movie with a protracted and graphic rape scene that comprised nearly a third of the movie's run time.  She couldn't really make me leave the room, either.  I ended up standing by the snack bar for most of the rape, thereby at least sparing my mother the uncomfortable silence and unfathomable shame.  I still can't bring myself to watch I Spit On Your Grave in mixed company.

     There's one final drive-in that deserves an honorable mention here - Roth's Drive-In in Harrisonburg, VA.  We visited the Roth less frequently because it was farther away, but it distinguishes itself as being the venue in which I first saw both Halloween (1978) and Friday The 13th (1980).  A fellow in the bathroom assured me when I saw Friday The 13th that the version he'd seen the preceding week was gorier.  I'm not even going to conjecture as to why he felt the need to share that info with a ten year old standing at the pee trough. 

     This post came about because of an exchange with Jonny Dead at Blood Sucking Geek.  Jonny, who's younger than me (who isn't?), was envious of the fact that I'd seen The Driller Killer at a drive-in.  For those who didn't, I highly recommend  Jonny Dead's Trash Box Volume 1, wherein Jonny pairs The Driller Killer with Naked Massacre (1976) in a lovingly rendered ode to the drive-in / grindhouse experience.  All of the drive-ins mentioned here are long gone, but the drive-in aesthetic lives on.



Posted By Brandon Early

Thursday, December 20, 2012

Friends Of The Farm Prep For The End Of The World And Take Pre-Orders For January

     I'm so glad that the creative and energetic friends of Movies At Dog Farm have provided me with blog fodder.  I've felt guilty about not posting for a few days, but working December in retail blows giant, hairy monkey nuts.  So anyways . . .

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cover image of "Hi There Horror Movie Fans!" The Bowman Body Documentary dvd
     Documentary filmmaker Sean Kotz is hosting a 48 hour End Of The World Sale at bowmanbody.com.  The sale (and the world?) ends on 12/21 at noon EST, so time's a wastin'.  I've finally ordered my copy of  "Hi There Horror Movie Fans!":  The Bowman Body Documentary for only $10.00!  Why haven't you?
     
     I may have to scrape the Dog Farm's bank account for one of those nifty t-shirts, too.  Get yours before it's too late!
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composite image advertising Jonny Dead's Trash Box
     I'm pretty excited about the forthcoming first volume of Jonny Dead's Trash Box, too.  Read more about it here, or just take my word for it - it's gonna be awesome!  You can just go ahead and place your pre-order now . . . 

     If you haven't checked out Blood Sucking Geek yet, be sure to take a look around while you're there.  So many others are already doing such a fine job with their sites that it's almost a little discouraging, but the Dog Farm is still young (even if I'm not).  



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Posted by Brandon Early